With close reference to the setting Essay Example for Free

With close reference to the setting Essay With close reference to the setting of Psycho and Edward Scissor hands discuss how the directors use elements of the Gothic tradition. The gothic tradition is rooted in many great works of fiction such as, Wuthering Heights and Dracula. It comprises many distinct features including Gothic architecture, lighting and the colour black. Setting is a very important aspect of the gothic tradition. In the two film texts studied Psycho and Edward Scissor hands, the directors have used the gothic tradition to create interesting effects. To define the word gothic when being used in the form of a novel, one can say that it contains supernatural or horrifying events. Alfred Hitchcock the director of Psycho, uses many effective camera shots throughout the film to add depth and tension to the atmosphere of the scene that the viewer can easily relate to. For example when Marion the leading female role is traveling on the highway in her car towards the Bates Motel, prior to her arrival the scene shows a very open and light space around her. There is lots of other traffic on the same stretch of road and gives a presence of safety in numbers to the viewer. As the sunset starts to emerge the lighting dims and Hitchcock uses a medium close-up shot of Marion in the car, the focal point being her face that is the only luminous thing that can be seen. The background behind her is not clearly visible and is set to a Gothic shadow view. As she continues to drive away further from her home the weather changes to heavy rain, the whole atmosphere draws in on her and the frantic music that plays adjacent to the fantastic camera shots results in a penetrative impact upon the viewer. As she continues driving it comes to attention that there is no other traffic visible. Solitarily driving down the highway Hitchcock takes a shot that shows what Marion would see from behind the windscreen. He takes a high angle shot looking down on to the road and all that can be seen are the road markings lit up by the headlights and only stretches so far as approximately 100cm in front of the car. This gives a feeling of isolation and curiosity as to what lies on the tarmac ahead. When Marion finally pulls of the highway and into Bates Motel, one of the fist camera shots we see is of a large house in shadow. Hitchcock films it using a low angle shot to make the house look more superior and threatening, this camera technique is used to make the viewer feel vulnerable. The house is of a very Gothic nature, the lighting especially created to set the old, menacing house in a black shadow so that the outline is only visible, contrasting against the night sky. The house has a very overgrown ramshackle appearance and there are only two lights that can be seen both coming from two upstairs windows that are set closely on one of the corner rooms. The blinds of both windows are drawn and then the viewer is able to see Mothers figure as a shadow walking past the window, and almost looks like a ghost more than a human. Later, when Marion is in her cabin, Hitchcock takes a camera shot of her standing in front of a mirror. He cleverly does this to reinforce in the viewers mind the illusion that Psycho is not a film but reality as if there was a camera crew taking the shot then they would be seen also n the reflection. Hitchcock then diverts the camera to an open window beside her bed, it is almost as if it is letting the darkness in from the outside of her room and the view beyond the window frame is of the house. The house has become even darker and no visible features can be seen eg. The front door. It is completely shot in darkness and is just an outlined silhouette, next to the house stands a single very ugly drawn tree that is also in shadow, only allowing its shape to be seen due to the lighter background. This creates a very eerie feeling that the music adds to which all highly compliment the Gothic Tradition. Behind the motel is an isolated, desolate area that is largely overgrown and is where the swamp situated to dispose of Marion and her belongings lies. It is enclosed by spindly trees that have no leaves or blossom; this makes them look dead, and makes the area look unattractive. The colour black is used very much throughout this film to emphasize all the Gothic elements that Hitchcock has used to perfect the setting. When Marion accepts the invite to go and eat her dinner in the parlour from the main office, stuffed birds surround her and Hitchcock makes a particularly remarkable shot in which Marion is in the bottom right hand side of the camera and behind her left shoulder can be seen a huge owl with its wings spread out to make her look like she was its victim that it was about to pounce on, kill and eat. The stuffed birds are everywhere and those towards the ceiling almost look as though they are circling above her in flight. They are made to look even more menacing by their shadows that create a larger image of them that creates an enlarging image of them. The birds are all birds of prey and in one shot that focuses of Marion you are able to see a stuffed crow behind her which symbolizes death! At one point during this particular scene Hitchcock uses a very clever camera shot in which hes in alignment with one of the birds of prey to show that the bird is a representative of him and his evilness. The bird that represents him is then seen above two pictures of naked women who represent Marion when shes in the shower, so in a sense almost gives away what will happen next through imagery! The birds are the most Gothic features of that scene but all the other props that are used also have a Gothic appeal, for example- the swirly, long candlesticks. To emphasize the charactors of the two people Hitchcock has placed the light beside Marion so that when the camera shoots at her, her face is lit up and when it focuses on him he is in shadow and in a darkened corner away from the light. Just before he commits the murder Hitchcock takes another shot of the house on the mount using the same low angle camera technique that gives the impression of power. The two lights that were bright upstairs have now been turned down to a minimal level of lighting and dark black clouds have congregated in the background which gives a far more atmospheric feeling to the surroundings of the Motel. Hitchcock chose to make all the bathroom facilities and decoration brilliant white so there would be a bigger more lucive contrast with the blood red when Marion was stabbed to death. When she is in the shower Hitchcock always uses a medium close-up, high angle shot to show that Marion is vulnerable, small and weak. However when the camera is on Bates it looks up to him like the house and so gives him a sense of superiority as well. Edward Scissor hands the other film studied, also showed Gothic elements that had been used to create a successful effect by the Director, James Burton. Burton starts the film off with a magical fairy tale beginning where a grandmother is telling her granddaughter a bed time story. As she starts to tell it the camera shoots through snow which eventually reveals a big mansion on top of a cliff. Suburbia the small community of average people lies below the cliff and unlike the mansion that stands upon it, is a brightly coloured, happy and social place. Burton uses camera shots to depict the huge contrast between the community and the isolated, solitary house on the hill. Within the mansion walls, where the only resident is Edward Scissor hands, the camera pans through an overgrown driveway into a magical garden. As Peggy Boggs, one of the main charactors of the film enters the mansion drive the whole setting takes a vast atmospherical change. The set from being very neat and tidy, changes almost indistinguishably to an overgrown, unkept, confined garden. Such props as stone gargoyles are used to emphasise the Gothic feeling that Burton tries to pass to the audience. What strikes one as most odd and is a great contrast to Psycho is the word that Peggy Boggs uses to describe the house, she describes it as beautiful and Burton uses a high angle shot that shows a close up image of her magical facial expression as she says it. The garden although firstly thought was poorly kept takes a dramatical change as Peggy Boggs goes further in and has a huge colourful array of flowers and many thriving, healthy green bushes that have been carved in to remarkable animal figures. Burton uses this scenery to make the house seem less threatening than it did on first impressions from the start of the driveway. This scene is also taken in daylight, with a bright, shining sun and the house not shown in shadow, unlike Psycho which is essential to create an eerie, Gothic effect. Burton also makes sure that the camera focuses on the Gothic architecture and other Gothic features of the house such as the large solid, old wooden door, the big lion doorknocker that Burton makes a close up camera shot of, and the church- style windows. When Peggy Boggs enters the house, Burton shoots the camera at her on a very long, high angle. Burton uses this shot, as the area that surrounds her can also be seen and as it is all in shadow and Peggy stands in a thin channel of light that floods solitarily into the dark, gloomy room, a great contrast between light and dark can be shown. Burton then shoots around the room focusing in on Gothic related props like the old throne that has been covered in dust sheets which creates an ancient, abandoned effect towards the audience. Edward Scissor hands, which can be closely related to another famous Gothic film, Frankenstein, also shoots close up camera shots on the contraptions and machinery that have created the main character, Edward. In many other Gothic novels apart from these, bringing bodies back to life has for a long time been an obvious favourite with authors. However when methods to do this started involving science big issues were raised concerning this. The camera follows Peggy Boggs as she goes slowly up the magical, windy staircase. Here, Burton uses some of the most regularly used Gothic elements such as very low lighting, creaking noises from the stair case and floor boards after every step and cobwebs that line the hand railings. The camera looks down on her as she proceeds up the stairs which makes Peggy Boggs look small and vulnerable. Peggy wears a bright violet suit that makes her stand out clearly against her dull surroundings, Burton uses this to show the contrast of Suburbia and the mansion. When Peggy meets Edward the scenery and Edwards shy character, make this particular scene a lot less Gothic than it could have been. Although Edward appears from shadows, he can be clearly seen as half of the roof is missing letting a more than sufficient amount of light into the room. As this scene is shot in an open- aired sunny room, Burton creates a calmer atmosphere which gives the audience the impression that nothing bad is going to happen at the present. During the scene when Peggy takes Edward back to Suburbia, Burton uses a series of long, two shots which again fulfills his aim to show contrast. Against the garish scenery of Suburbia Edward really stands out as hes the only black thing in sight. Suburbia, from the outside is extremely unrealistic and delights the audience eye as this picture perfect place is unveiled. The insides of the houses are much more related to normal, realistic living which signifies the room for evil, and the charactors of Suburbias residents are far in contrast with the setting. When Peggy Boggs opens her front door to let herself and Edward in the colour scheme which is the complete opposite of Edwards signature colour comes to the audiences attention. The walls are all white washed which symbolizes purity and reflects Peggys good, generous and loving personality. Towards the end of the film the witch hunt gathers for Edward, tension builds up and the sky turns black, which is a key factor that Burton has finally used to create a sinister, Gothic atmosphere. The mansion garden, shown throughout the film to be a colourful, wonderful place, is plunged in to a deep darkness. The flowers black, the animal carved bushes threatening, and a garden that now matches the interior, of the Gothic mansion upon a hill. In these films one can conclude that both directors have tried to incorporate influences and elements of the Gothic Tradition in to the desolate and sometimes bleak film settings. In particular, the attic of the large house in which Edward Scissor hands lives and the large dark remote house where Norman Bates live, both have a strong correlation with Gothic Traditional architectural style. This is often characterized by dark 12th 16th Century castle type structures with vaulted ceilings and pointed arches. Also they have used many symbolic objects within the sets that portray themes dealing with macabre and other events typical of the genre. The lead characters in both films are to a large extent depicted as social outcasts, displaying severe psychopathic tendencies thus further reinforcing the Gothic impression created by the film sets. From studying the films I feel that they both successfully display the Gothic Tradition and the settings and other background props greatly contribute to achieve this distinctive theme.

Fear In the Damp and Dark Gap Essays -- In the Damp and Dark Gap

Fear In the Damp and Dark Gap The usual signification of the French feminist's "gap" transformed by Jack Bushnell from silent entrapment to a meaning that signifies the "gap" as that which frees the other and allows for the generation of a voice of the other's own Circus of the Wolves. The famous masculine--self and feminine--other opposition will be freely utilized with the man and the circus representing the former and Kael and nature the latter. Gaps appear literally and figuratively throughout the text and with each appearance its meaning slowly, slowly, alters in the previously stated manner. Jack Bushnell says in a "Note from the Author" that the of the wolf (other) is "a natural world as distinct and separate from the human (self) world as possible." The place of the Other, in other words, is separated, banished, and excluded from the sphere of self. The circus and the man be self insofar as they confine, harness, and attempt to stand the beauty and wonder of the ot her by conforming the other into the mold and way of self. Before going further, it should be noted that any appearance of anthropomorphizing the wolf is only that –appearance. It is the place of the Other that receives the essences of human and not Kael in and of himself. Since Kael occupies the place of the Other the anthropomorphic transgression will seem to apply to the wolf when no actual transgression has occurred. Still, however, Kael must come to sense his occupation of the place of the Other. Kael falls into the gap constructed by his oppressors "...the damp and dark at the bottom of the hole frightened Kael." Kael's fear is of confinement and the discovery of himself as other... ...e frees himself through the gap left by his oppressors. The man allows for Kael's escape. He has come to know the beauty and power of the other and can no longer confine it. By obtaining the knowledge that reveals the nature of the gap, Kael has discovered the means of utilizing the "gap" to the ends of freeing the other from the oppression of self. He has found the power of his own language, and its ability to take the self away from its world and into the place of the Other, Jack Bushnell has found in Kael a character that can infuse the gap with the emotive gynergy of other, thus disallowing its existence as a simple lacunary absence without voice. The place of the Other radiates its own incandescent brilliance, seething with the growing volume of the new choral power......O... Â  Circus of the Wolves, Lothrop, Lee, and Shepherd 1993

How Recent Japanese Boys Are Getting Femininize Essay

The recent male Japanese gender identity is so unique in the same way as their culture. Most of them are fashionable and they always care about their hairstyles just like girls, and desire to be skinny. The reason why they look so feminine is not just because they want to become a Kabuki Onnagata actors. There is a controversial reason. Since the women are getting a bigger part in the society, Japanese gender roles have drastically changed. Previously in Japan, women used to be expected to follow men and learn house works to get married with men who are introduced by parents or marriage meeting. However, as women’s rate increased in the company, men more and more feel small. As women has got more money and free time, the media started to illustrate their desire. If they have the high expectation for men, guys tried to fill up it. This is the beginning of the system where guys follow the women’s expectations, and recently it is distorting Japanese male identity. Women’s expectations for men cause the disturbance of masculinity, and especially the medias emphasis the distort the images of male identity. The media always represents the value of the current people, and especially recent Japanese media is inclined to the women’s opinions, and it distorts gender identity. Recent Japanese guys are so feminine. Whenever you walk around a city, you can find guys who are wearing skinny jeans, or guys who have long hair like girls. You can even find guys wearing girls’ clothes. To describe those guys, there are a lot of slangs words, such as â€Å"Sousyoku-kei-danshi†, â€Å"Otokono-ko†, â€Å"Jyosoushi†, â€Å"Oto-men†, and so on. Sousyoku-kei danshi† means herbivore men who do not act aggressively and they favor the peace in the group, so they don’t have interest in girls, love, and they even don’t want to make love. There is a ranking research for asking them why you don’t have girl friends. The popular reasons are that â€Å"they want to enjoy their time†, â€Å"they are satisfied with current situations†, â€Å"troublesome†, â€Å" because of shyness†, â€Å" feeling easy with guys†, and so on. Thus, they are negative for not only girls but also other things. It’s kind of similar as herbivore animals, so they are named like this. For them, violence is not real and they hate to compete with people, so they don’t work out like other counties’ guy want to become muscular. Instead, they believe working out is a gay’s work, and good men should be skinny to wear fashionable clothes. They have grown up in the resection, so they don’t desire luxuries. If someone show off the richness the they would look down on the Off course there are opinions that the economic situation and education influence their value to live. While Japanese young people used to consume cars, brand products and travel to overseas during bubble era, current youth do not desire these things because they have shifted value. Previously Japanese youth wanted to emphasize richness, so they bought expensive products as if they were competing, but that is considered as stupid now because recent young people want average things. They are not good at competing with others and do not want to be distinguished from others because they experienced how much it scares to been left out. For example, the media has exposed the decline of big stars. Most poplar actress, hottest athlete and other famous talents are charged just because they made a slip of a tongue. They treat them as criminal. Moreover, once comedians become popular and are shown on too many programs, audience tend to want them to disappear. Not only the other world, they also have watched the real life bullies. That is why they do not behave like muscular guy, and cherish the cooperativeness with others. That is what girls have expected to have in Japan. education also affect their value. Japanese young generations are lacking the competitive spirit because Japanese have gotten a more relaxed education since the 1980’s, which means setting high price on the individualistic value. this education system is influenced by America because Japanese education system was too competitive. They had memorized text as much as possible to pass the entrance test for university. To improve such machine like education and prize the individual value, they needed the system that makes students have their own opinions and take more time to discuss how to solve problems around them. However, it didn’t work because Japanese people are culturally passive, so few people make statements in classroom, as a result, while the amount of the words which students have to memorize decrease, they came not to consider, as a result, the system just cut off the amount of study. Furthermore, it becomes easy to go to university because the traditional entrance test become easy, 50% student pass the entrance test only by the interview. Which is not enough to explain the reason why Japanese guys are motivated to be feminine or skinny. However, those facts do not directly influence the gender identity because they still have money if they live with family and Japanese schools still have traditional gender treatment for each boys and girls. The media is the most influential factor to distort the male role in Japan, and drama is one of the good sources to know how different the gender role is. Traditionally Japanese TV love dramas illustrate the trend of each age, so if it’s compared up to each age, it’s easy to understand the value for the era. In the bubble age, the heroes had longing jobs, such as advertising, travel agency, or someone who works at oversea, and story is about the love affairs of a group of several characters. Most women admire life in the drama and fashion of female role, and they desire to have same one or try to find those guys who can purchase it for them. At that time they expected guys to economic force, and they thought guys should have the competitive power, so that was common like other countries. However, some women started to be suspicious about the masculinity because Japanese society was still male-dominated base, so it was not interesting for some. And then, they became to hope that the next generation or their kids to be more kind. Women’s expectations shifted from the masculinity to gentle conduct to females. Thus, the herbivore men generations started to be born. Fashion is the most the concern things in some people feel young generation feel they want to go drink or play around if they don’t have the good cloth Likewise the topic in the girls’ magazine, Japanese guys also interested in health and not only the talent Japanese male life is not also become feminine. I did not mean the discrimination, but just criticize the Japanese too much self-concerning. In the 80s, Japanese media used to show the Yankees or yakuza kind of stories on the drama, and that was a fundamental stereotype in Japan because people in that age still believed that the guys must be strong and male also dominated society. The representative drama is â€Å"School Wars†. The story is about that a former Japan national rugby team player hired as a high school rugby coach. However, the school is famous for the bad boys and especially the rugby kid’s were uncontrolled. The team straggles with a lot of problems and in the story, but finally the coach pulls the team together and won the high school national rugby tournament. That kind of story is so-called â€Å"spokon†, and this genre became a popular at the era because the story is quit simple and make audience refresh the mind. However, the some guys also admire those images on such a drama, so it let them go into juvenile delinquency, and it became a social issue. To prevent from such behavior, Japan broadcast committee came to make restrictions for violence scenes, so those dramas disappeared from the screen. At the same time the male gaze objectified women on screen, so there are so many comedy shows that describe the women naked on midnight. In the 90’s to early 00’s, Japanese media was drastically changed and the contents had became to reflect women’s request, so the popular genre shifted from â€Å"spokon† to love romance which is so-called â€Å"trendy-drama†. The stories look at the girl’s comics and got a large female audience. In this decade, a lot of women came into the society, so feminists and female employee criticized about the strongly male dominate society. Those dramas also illustrate the ideal women workers role, so that got support from women, and Japanese media gradually start leaning to the women side. Not only the dramas, the music shows also became popular because J-pop reached the peak of popularity, especially Johnny & Association, producing boys’ celebrity groups company, turn out many popular groups, and got the many funs, so the media producers learned that they can got huge viewers and sponsored instead of the actors if they have the acting skills or not. As a result, those good-looking celebrities dominated Japanese dramas, movies, or even music industry. At the same time, those body images threat people’s self esteem. It was raised as a social issue that Girls obsess with the dieting and desire to be thin, so it also caused the eating disorder. Current youth guys has grown up in this era and exposed those ideal models of new masculinity by the media, as a result appearance is spontaneously placed on their primary concerns. As Iida says â€Å"It was the development of an image/information oriented mode of capitalist economy of the 1990s that made the imaginative exploration of alternate selves, including the aesthetically sophisticated self-representation by young men, a highly desired economic practice. (2) People were motivated to imitate the behave of celebrities, so young generations takes it for granted to blush up their appearance to be attractive or popular in their class room. Since later 00’s, the image-oriented capitalism became hash and distorts body images, and especially guys are objectified as much as female objectification on the screen because the media producers change the strategies to get audience. TV stations basically depend on the advertising income, but sponsors do not offer the advertising cost because youth generations came not to watch TV compared to the 90’s young generation. Even thought drama story were written by originally until beginning of 90’s, most recent dramas are based on the girl’s comics because there are funs that already know the comic, so it’s easy to correct audience. Moreover, the girls comic stories usually appear a lot of hansom roles, and producers can adopt good looking celebrities who also have a large number of funs, so it can get viewers As a result, particular kind of fetishisms become to be represented in the drama. For example, â€Å"Ouran High School Host Club† is a drama, which visualized originally from popular girls comic. The story is about the official host club in boys school treat the patrons from girls school next to there. In such a daily life, character makes problems. The male characters are unique and created by the women’s fetish. Suou Tamaki is a selfish but good at to escort girls and categorized as an â€Å"Oujisama kei ikemen†, which means prince kind guy. Yusuke Yamamoto, a most popular young actor plays this role. His face is well organized and looks feminine, but girls regard him as neutral and adore. Mitukuni Haninostuka is also representative in this drama. He always has a rabbit dole and behaves like a girl, but it stimulates the maternity of girls. Although Yudai Chiba is a popular fashion model in the male magazine, but he paly this role because his face is so sophisticated and feminine. Even though this drama is for girls, both Yamamoto and Chiba are supported by male youth and they suggest those guys a new kind of masculinity that is leaning to famine side not only on the screen but also on the magazine. Guys who are sensitive for appearance imitate their fashions, behavior or life stile. That’s the major reason why Japanese youth are getting feminine. In later 00’s, this male objectification has started on the drama commercials or paper media also force them pay attention to their appearance. While Japanese commercials are traditionally celebrities make the products look good, the characters on the current commercials are different from a decade ago. The clients favor to use more neutral guys to promote their products. A typical example is that suits company, â€Å"Haruyama†, adopt AKB48 for their male suits commercial. The company considers that AKB48 is a Japanese most popular female group, so they can attract a lot of guys fun. At the same time, they wanted to highlight their thinness of suits by letting girls wear the male suits. What we can see this commercial is that how much Japanese guys desire to be thin or look slim. As I mention that, most of Japanese girls are stick to the skinny body images, but it’s not only women’s issues anymore. Japanese guys also want to be skinny because those who are recognized as an ideal guy is like a western looking just like girl’s comic represent. To the matter is worse, Japanese cosmetic company; publishing company or TV comedy shows have a promotion campaign, and exploit for them to come close to the images. For example, Rohto Pharmaceutical CO. , Ltd produce a many kinds of male cosmetics, and push the strong messages on commercials like â€Å" if you don’t use this, girls never come close to you†. The extreme campaign is that they force them to do whitening their skin just like women. This kind of objectification to guys as a female is often seen on the media. Magazines for men force them to be fashionable as much as girls do, and teach them how to deal with the male cosmetic products. At the one corner of popular TV comedy show, guys are dressed like women and compete how much they are beautiful even though they are not homosexual or transvestite. Iida mentions, â€Å"†¦the idea that the â€Å"feminisation of culture† leads to the â€Å"feminisation of masculinity† is an interesting proposition†¦Ã¢â‚¬ (3). Thus, Japanese society itself threat young guys to be clean, skinny or feminine. Japanese young men are looking for the new muscularity under the media pressure, women’s high expectations, and hyper pure society. As the media describe, the ideal parson is that he is tall, skinny, understanding what girls are thinking and having the flexibility to correspond to the social requirement. That model is rare or no exist case, but the media never stop exposing those ideal. To matter worse, Japanese are not good at to accept or discuss the extra ordinal thoughts. While that ideal mode is completely unusual or wrong, they are stick to it, so most of guys feel unconfident about themselves. They are lacking self-esteem, so they cannot be aggressive toward girls. They think they must be fashionable and keep cleanness wherever they go, but women do not so much care about the men’s appearance when they chose their partner. In fact, some of them are more likely to get marry with previous generation guys in 30’s to 40’s because their self-esteem is high enough to approach the women regardless of their appearance. If male appearance is the first priority for women to decide marriage, the young generation must superior to that generation. However, the fact is different. The thing is that women are more realistic than men. While they admire those who inside of the media, they know that is not real. That becomes variance for those guys wants to response to women’s demand. While elderly critic often argue about this issue, that was never understood by their generations because their generation was not complex as much as nowadays, so it stereotypically analyzed and label young guys as inferior new type, and make fun of them it just like a game. However, they should take it account that social expectations are shifted, and guys are expected to have more female role to coexist with women. The gender could not be easily judged by biological role in current complex society. â€Å"Sue Thornman claims that a â€Å"female person† holds a â€Å"doublesubjectivity† ;while â€Å"she represents herself to herself,† she also performs a role of another subject who â€Å"consciously creates, manipulates, and compensates for the figurability of an imaginary subject that projects cohesiveness as its founding assumption through a fictional body. â€Å"(5 Iida). To response to social demand, guys are just imitating the female behavior not because they actually wants to be a women, so the media should let them know it, and suggest how understand the female role and new male identity. In conclusion, distorted masculinity by the media make Japanese young guys hard to find appropriate model. Older generations also critici ze their constructing new way, so it makes more difficult issue. Most young generations get the complex from that reason, and they seem lack the self-esteem. However, those who suffer the issue must ignore what the media expose. Most Japanese people tend to believe that the media is truth because they used to follow the majority. As I mentioned, most Japanese people are disciplined not to have the individualistic opinions. In the class, it’s rare to be asked their opinions and only take the note what teachers are talking or writing on the board. As a result, they stick to one idea. They also lack the experience to acknowledge other cultures. They don’t know how fouling people observe themselves because majority of Japanese never been abroad. Japanese society is traditionally closed, so problems become too domestic. If it’s the U. S. people express the rejection to the media like Justin Bever is criticized as a gay singer. Even though minority people criticize about that on 2ch, those people are thought they are dropped from the main stream and are not persuasive because they hide their name. Anyway, to combat this issue, Japanese must be more flexible and reject to be brainwashed by the media.

Mark Twain s Adventures Of Tom Sawyer - 1586 Words

Most of the setting, characters, and plot of The Adventures of Tom Sawyer are closely related to Mark Twain’s own life experiences. The fictional town of St. Petersburg very closely resembles Twain’s childhood home in a small town in Missouri, because of the Mississippi River (Stanley 1). He remembers both the ups and downs of his childhood and conveys these in the novel (Higgins). Many of his memories of living by the Mississippi river are displayed in this novel as Tom has several encounters with rivers (â€Å"Mark Twain†). Twain also interprets how children feel and act in this novel by letting the reader know all of Tom’s thoughts and feelings (Higgins). The intended setting of the novel is in the American West, and Twain uses realistic events to cover the topics that were relevant to this time period and area (Twain preface). Most of the events that are portrayed in this story actually happened to Twain himself or one of his classmates. Twain c laims that the character Tom is a mixture of a few different boys that Twain knew earlier in his life (Twain preface). Since St. Petersburg is similar to Hannibal, Mark Twain portrayed his characters in a way that shows how people in Hannibal acted (Stanley 3). Mark Twain claims that he didn’t originally have a childhood audience in mind for this novel. He wanted it to be a story that adults could read to reminisce on their childhoods. Twain says, â€Å"My plan has been to try to pleasantly remind adults of what they once wereShow MoreRelatedMark Twain s The Adventures Of Huckleberry Finn And The Adventures Of Tom Sawyer1654 Words   |  7 Pagesliterature, Mark Twain claims the title. He is a paragon of the ideals that are ascribed to what a(n) (American) writer should be; his humor, his fluid and flexible writing, his ability to portray emotion and passion via ink on dead slices of trees is a mirror image of the- alleged- freedom that America purports. Even in death, h is penname is renown- his autobiography a jumbled, yet appealing mess that was released 100 years after his expiration. Out of the numerous writers in America, Mark Twain is theRead MoreAnalysis Of Mark Twain s The Adventures Of Tom Sawyer As Well1350 Words   |  6 Pages Mark Twain is one of the foremost satire writers, and he is well-known for uses his sense of humor to criticize the 19th society in America’s and propagate his ideal world through The Adventures of Tom Sawyer. People commented Twain as â€Å"Twain does not confine himself to telling a simple children s story. He is, as always, the satirist and commentator on the foibles of human nature†(Roberts), Twain does use his sense of satire in the classical America book: The Adventures of Tom Sawyer as well.Read MoreRhetorical Analysis Of Mark Twain s The Adventures Of Tom Sawyer 1986 Words   |  8 PagesHypocrisy in Mark Twain’s Novels In Mark Twain’ diary, he quotes: â€Å"I am not an American, I am the American† (Mark Twain’s notebook 1) in his notebook from his friend. His literature sense definitely proved he is the American, and his humor is unique with irony in American society. In his novels, The Adventures of Tom Sawyer and Adventures of Huckleberry Finn, hypocrisy is reflected well by Twain’s humor. Mark Twain claims in his letter to a friend about The Adventures of Tom Sawyer: â€Å"It is not aRead MoreMark Twain s The Adventures Of Huckleberry Finn And The Adventures Of Tom Sawyer1226 Words   |  5 PagesMark Twain, American humorist and novelist, captured a world audience with stories of boyhood adventure and with commentary on man s shortcomings that is humorous even while it probes, often bitterly, the roots of human behavior. His writing, Shelley Fisher Fishkin who is one of the leading scholars on the work of Mark Twain in American culture and literature observes, involves an entreaty to rethink, reevaluate and reformulate the terms in which one defines both personal and national identityRead MoreAnalysis Of Mark Twain s Adventures Of Tom Sawyer1273 Words   |  6 PagesMark Twain’s Adventures of Tom Sawyer addresses the fear of the citizens of the newly reborn nation after the war between the states and what changes await for them, in correlation to the childr en as the fearful citizens and their exposure to society or the adult world as the reborn nation. Children fear of what lies ahead in the adult world as the citizens of the reborn nation fear what exists in a united nation. Twain’s sepulchral imagery conjures up the spine-chilling mood of a child when facedRead MoreMark Twain : Seeing America s Flaws1593 Words   |  7 PagesMark Twain: Seeing America’s Flaws â€Å"You don’t know about me, without you have read a book by the name of The Adventures of Tom Sawyer , but that ain’t no matter. That book was made by Mr. Mark Twain and he told the truth, mainly. There was things he stretched, but mainly he told the truth† (qtd. in Jones 237). That was the very first line in Mark Twain’s controversial book, The Adventures of Huckleberry Finn. Samuel L. Clemens, as a young boy, grew up on the Mississippi and learned the ways of southernRead MoreAnalysis Of The Book Tom Sawyer 1629 Words   |  7 PagesTom sawyer is a very fun and entertaining book and is great for all families and children alike. Why do i say this, I say this because the book of Tom Sawyer is set in St. Petersburg, St. Petersburg may be small but it s got everything a boy could ever want. This really adds to the excitement and appeal of the book. Another thing that adds to the appeal of the book is the narrator point of view. Twain does a good job of using versatility and verbal skill in the narrator point of view. For exampleRead MoreThe Adventures Of Huckleberry Finn By Mark Twain1103 Words   |  5 PagesDmitri Van Duine Jr English Mr. Nelson November 27th The Adventures of Huckleberry Finn: Huck Finn and Tom Sawyer The Adventures of Huckleberry Finn, Written by Mark Twain filled his stories with many examples of satire as to convey a message while also writing an interesting story. The Adventures of Huckleberry Finn revolves around the adventures of a young boy called Huckleberry Finn, who is about thirteen years old. Tom Sawyer is Huck’s best friend and around the same age as Huck. He is onlyRead MoreCindy Lam. Mrs. Johnson . English Ii, Period 5 . 31 March1188 Words   |  5 PagesCindy Lam Mrs. Johnson English II, Period 5 31 March 2017 Mark Twain’s View on Education Through Huck and Tom A unique man once stated, â€Å"Don’t let schooling interfere with your education† and that was the author himself, Mark Twain through the constant mentioning of education in The Adventures of Huckleberry Finn. In the novel, Jim, a runaway slave, is imprisoned in a shack on the Phelps’ plantation. Just after, Huck and Tom, the two best friends meet up and both agree to help rescue Jim. TheRead MoreThe Adventures of Tom Sawyer600 Words   |  3 PagesThe Adventures of Tom Sawyer: A novel written by Samuel Langhorne Clemens also more commonly known as Mark Twain. Samuel was born in 1835 in what he called â€Å"the almost invisible village† in Florida, Missouri. In his younger years he and his family moved to Hannibal Missouri on the Mississippi River. He later used this town as his fictional town of St. Petersburg in â€Å"The Adventures of Tom Sawyer†. While Samuel Clemens was savoring all of his fame he and his family were living in Hartford, Conne cticut